Selasa, 19 November 2013

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Wicked Angel, by Julia London

Forbidden love is always a scandalous choice....

She raced across the pasture, vaulted a fence, and landed, stunned and breathless, on top of the most handsome man she had ever seen. The bemused stranger stayed to capture the fancy of the brood of orphaned children in her charge, then stole Lauren Hill's heart with a searing kiss as he left. Lauren couldn't tell him she was a widowed countess fallen on hard times. She tried to forget him--until she saw him again at a London ball. The man who haunted her dreams was a duke, out of her class...and he was pledged to another woman.

The ton is ablaze with talk of the ravishing Bavarian countess. Stunned, Alexander Christian, Duke of Sutherland, recognizes Lauren as the country girl who's captured his heart. Duty has forced him to pledge himself to another, to take his proper place in society and in Parliament. He wants one night with his blue-eyed enchantress, but will he be able to walk away from her again, or will he risk it all to be with the woman who fires his blood and makes him think of a . . . Wicked Angel.

  • Sales Rank: #839885 in Books
  • Color: Pink
  • Brand: Dell
  • Published on: 1999-05-11
  • Released on: 1999-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.05" w x 4.15" l,
  • Binding: Mass Market Paperback
  • 384 pages
Features
  • Great product!

From Publishers Weekly
Lauren Hill is about to be married off to the highest bidder once again by her greedy guardian, who is livid that she gave up her late husband's fortune. She tries to stop his matchmaking schemes by going into trade with the local villagers, but her estate is in dire straits and she needs a cash infusion. Lauren's guardian blackmails her into agreeing to spend a season in London and eventually get married. The ton is enchanted with the beautiful Countess Bergen (her official, if empty, title). Lauren, however, is disappointed with the men, especially when she compares them to a certain kind and generous country gentleman she met briefly that summer named Lord Alex Christian. No one is more surprised than she when Christian turns out to be none other than the aloof, influentialAand engagedADuke of Sutherland. Despite his duties and responsibilities, Alex breaks his engagement for his new love. Yet Lauren cannot bear to bring scandal to the man she loves and becomes engaged to another. London (The Devil's Love) fails to enliven an overused plot in this lukewarm Regency.
Copyright 1999 Reed Business Information, Inc.

From the Inside Flap
Forbidden love is always a scandalous choice....
She raced across the pasture, vaulted a fence, and landed, stunned and breathless, on top of the most handsome man she had ever seen. The bemused stranger stayed to capture the fancy of the brood of orphaned children in her charge, then stole Lauren Hill's heart with a searing kiss as he left. Lauren couldn't tell him she was a widowed countess fallen on hard times. She tried to forget him--until she saw him again at a London ball. The man who haunted her dreams was a duke, out of her class...and he was pledged to another woman.
The "ton is ablaze with talk of the ravishing Bavarian countess. Stunned, Alexander Christian, Duke of Sutherland, recognizes Lauren as the country girl who's captured his heart. Duty has forced him to pledge himself to another, to take his proper place in society and in Parliament. He wants one night with his blue-eyed enchantress, but will he be able to walk away from her again, or will he risk it all to be with the woman who fires his blood and makes him think of a . . . Wicked Angel.

About the Author
Julia London was raised on a ranch in West Texas, where she spent her formative years in the middle of vast wheat fields driving a tractor at the reckless speed of five mph. In spite of her humble beginnings, Julia went on to earn a degree in government and eventually landed in Washington, D.C. There for nine years, Julia had her brush with greatness when one day she actually shared an elevator with a senator from Iowa. She eventually returned to Texas and now lives in Austin with two enormous Labrador retrievers. Wicked Angel is Julia's second book and a sequel to her first, The Devil's Love. Julia is currently working on her next book for Dell.

Most helpful customer reviews

30 of 31 people found the following review helpful.
An exhausting but very rewarding book!
By V
When I finished reading Wicked Angel, I had to just stop everything and let my mind rest. I was overwhelmed and exhausted emotionally! From almost the beginning of this book, I knew that it was a five star rated book. It was immediately engrossing.
Alex Christian, the Duke of Sutherland, carries a lot of responsibility on his shoulders. He is, of course, known in all of England because he is a duke, terribly handsome, very rich, single, young, and extremely influential politically. As he believes it is time for him to marry and produce an heir, he has requested the hand of an important political ally's daughter in marriage two years previously. They will be married within six months. He doesn't love the girl but is fond of her and knows she will make a great duchess. He is yet another one of those heroes that think love for a spouse is neither realistic nor desirable. Then his well-ordered life takes a sudden shift. He is hunting at his country lodge when he stumbles upon a country lady having a disagreement with a belligerent hog. He is so taken with her that he extends his hunting trip just to be around her. He knows it is all nonsense because of all his duke duties but cannot resist her for a little while. During this two-week period, their relationship is innocent and sweet. But his responsibilities require him to return to London and Alex never expects to see the lovely country lady again although it makes him very sad.
Lauren Hill is that lovely country lady. Although her speech, education, and mannerisms proclaim her a lady, she first encounters Alex as she is singing to a hog in a cornfield right before the animal charges her and she leaps across the fence into Alex's arms. For the next two weeks, he observes her perform all sorts of manual chores and even sees her wearing her brother's old pants and shirt. He is shocked but pleasantly surprised to find that she has five wards, orphans, who she cares for and loves deeply. Lauren is totally taken with Alex and finds herself in love with him. She has no idea that he is a duke. Lauren lives on a run down country estate with her uncle, brother, housekeeper, a mentally challenged boarder, and the five orphans. She is desperately attempting to make a living from the old estate. Her uncle wants to her to marry and better their situation but Lauren has no desire to marry again.
Lauren's uncle, some years previous, had bartered her in marriage to a very old Count from Germany. She was married to the old Count for two years prior to his death. Since she had not provided him with an heir - a portion of the marriage agreement - she returned her inheritance, as his Countess, to the next Count and returns home to England penniless, much to her uncle's chagrin.
Now fast-forward four months to London. Lauren's uncle has forced her back into society so that she may marry well once again. She is introduced everywhere in London by her married title of Countess. Imagine both Alex and Lauren's great surprise when they encounter each other at a party and find that each bears a title. Neither one of them is very happy with the other because of the little secrets they have both withheld. However, Lauren is ecstatic to see Alex and then heartbroken when she is informed that he is engaged and will be married in two months.
Now the real story begins and it is a roller coaster. Lauren's uncle is blackmailing her to remarry well. She cannot waste time with Alex but he won't leave her alone. He seems to be everywhere she goes and although he believes he can never marry Lauren, he is obsessed with her. Of course, several very eligible men are pursuing Lauren and are very serious in marrying her. This makes Alex crazy with jealousy. This is certainly a time when the old saying "You can't have your cake and eat it too" would definitely apply to Alex because that is exactly what he wants. He wants Lauren despite the fact that he is getting married.
We see much kindness and caring from both Alex and Lauren. They are both very likable characters. The story was wonderful and it was difficult for me to ever put it down. There are only two sensual scenes and they rate a 4.0 out of 5.0 (see More About Me for rating guidelines). You don't miss these sensual scenes because this is one of those books that has such good writing - it isn't missed. Towards the end of the book, the leads hit some really rough spots and you feel drained and a little betrayed that the story has taken such a sudden turn. There are some major issues to be addressed. This is my one criticism of the book. This sudden turn of events feels like one of those overwritten romance novel plot lines that just doesn't seem necessary.
This was my first book by Julia London. I am definitely looking forward to reading her other books. I think I have uncovered yet another great author. And although I did not appreciate the plot twist late in the book, I still hold Wicked Angel in very high esteem. It was fun, entertaining, amusing, sad and, at times, distressing. It is overall a very well written book that deserves its high rating.

0 of 0 people found the following review helpful.
Sooo Sooo Good...Heartwrenching
By RETSmile
Okay, I take back anything I've ever said about poetry spewing heroes. This one did it for me. I love both the hero and the heroine in this story. You can f e e l this tumultuous relationship as you read. This author carefully cultivates both the characters and the relationship. This and The Devil's Love are my two favorite books by London and two of my favorite HR's as well. This was my second time reading Wicked Angel and I loved it the first time too.

The hero and heroine both want to do their duty to their stations and responsibilities in life but their love is so strong that it pulls them out of their life plans and puts them in circumstances for which neither are prepared or know how to handle. The reader travels with them through their struggle, in what seems like an impossible situation, to figure it all out. The book is smooth through these problems, no abrupt "realization" or too easy solution. These characters suffer their actions and decisions. The H/H are intelligent and caring and this is a fantastic, highly recommended read.

2 of 2 people found the following review helpful.
Sigh....
By Viv
I LOVED this book. I have just discovered Julia London. I must have been living under a rock. Wicked Angel WAS an emotional roller coaster, and I felt all the pain and joy they did. I was so engrossed, I read it in a day.

My stomach fluttered from begining to end. The hero was betrothed to another, but was madly in love with the heroine. The heroine was desperately in need of money and needed to marry a rich man. She travels to London in her quest. The hero, is very jealous of her suitors, but as he is betrothed he has no say in her life.

How do they overcome this huge obstacle? This is a 5 star book. Well done J. London.

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Senin, 18 November 2013

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  • Sales Rank: #2192285 in Books
  • Published on: 2015-08-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.51" h x .76" w x 6.01" l, 1.45 pounds
  • Binding: Hardcover
  • 304 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
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Rabu, 13 November 2013

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A classic, reimagined.

A completely new editorial team, dozens of new selections and translations, all-new introductions and headnotes, hundreds of illustrations, redesigned maps and timelines, and a completely revamped media program all add up to the most exciting, accessible, and teachable version of “the Norton” ever published.

  • Sales Rank: #14174 in Books
  • Published on: 2014-02-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 2.40" w x 6.10" l, 4.10 pounds
  • Binding: Paperback
  • 2928 pages

About the Author
Martin Puchner is the Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University. He is the author of The Drama of Ideas: Platonic Provocations in Theater and Philosophy (2010), Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (2006), and Stage Fright: Modernism, Anti-Theatricality, and Drama (2002). His edited books and introductions include Six Plays by Henrik Ibsen (2003), Lionel Abel's Tragedy and Metatheatre (2003), The Communist Manifesto and Other Writings (2005), and Modern Drama: Critical Concepts (2007). He is also co-editor of Against Theatre: Creative Destructions on the Modernist Stage (2006), The Norton Anthology of World Literature, Third Edition (2012), and The Norton Anthology of Western Literature, Ninth Edition (2014).

Suzanne Conklin Akbari is Professor of English and Medieval Studies at the University of Toronto. Her books include Seeing Through the Veil: Optical Theory and Medieval Allegory (2004) and Idols in the East: European Representations of Islam and the Orient, 1100–1450 (2009). Among her edited volumes are Marco Polo and the Encounter of East and West (2008), co-edited with Amilcare Iannucci, and the Oxford Handbook to Chaucer (2013).

Wiebke Denecke is Associate Professor of Chinese, Japanese, and Comparative Literature at Boston University. She is the author of two books, The Dynamics of Masters Literature: Early Chinese Thought from Confucius to Han Feizi (2010) and Classical World Literatures: Sino-Japanese and Greco-Roman Comparisons (forthcoming).

Barbara Fuchs is Professor of Spanish and English at UCLA, where she also directs the Center for Seventeenth- and Eighteenth-Century Studies and the William A. Clark Memorial Library. She is the author of Mimesis and Empire: The New World, Islam, and the Construction of European Identities (2001), Passing for Spain: Cervantes and the Fictions of Identity (2003), Romance (2004), and Exotic Nation: Maurophilia and the Construction of Early Modern Spain (2009). She is also a co-editor, with Aaron Ilika, of two captivity plays by Miguel de Cervantes: The Bagnios of Algiers and The Great Sultana (2009).

Caroline Levine is Professor of English at the University of Wisconsin–Madison. She has written two books: The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003) and Provoking Democracy: Why We Need the Arts (2007). She is co-director of the Andrew Mellon World Literature(s) Workshop at the University of Wisconsin.

Pericles Lewis is the Founding President and Professor of Humanities at the Yale-NUS College in Singapore. He is the author of three books―Modernism, Nationalism, and the Novel (2000), The Cambridge Introduction to Modernism (2007), and Religious Experience and the Modernist Novel (2010)―and editor of The Cambridge Companion to European Modernism (2011). He is the founder and editor of The Modernism Lab, a virtual space for collaborative research on modernism.

Emily Wilson is Associate Professor of Classical Studies at the University of Pennsylvania. She is the author of Mocked to Death: Tragic Overliving from Sophocles to Milton (2004) and The Death of Socrates: Hero, Villain, Chatterbox, Saint (2007), as well as the translator of Six Tragedies of Seneca (2010).

Most helpful customer reviews

10 of 10 people found the following review helpful.
Get The 8th Instead
By Wred Fright
I had to use this anthology in a course when Norton changed editions (from 8th to 9th). The previous edition (the 8th) is actually a bit superior, so I would recommend it over this one. This edition (the 9th) has much of the same material, so it still is quite worthwhile, but some of the changes were not improvements. In particular, this edition does not include Aristotle, Petronius, Lucian, the fabliaux section, the Medieval women section, and the carpe diem poetry section. Also, the introductions and overviews were generally better in the 8th as they were more informative and thorough. Many of the introductions in the 9th seem overly concerned with the influence of Islam on European culture, an important topic to be sure but likely not as important as to merit the space devoted to it, as space in an anthology is always precious. Furthermore, some of the additions were odd such as including Ferdowsi (since I was teaching a European literature course, material from the Middle East and Asia was not tremendously helpful). Good additions include Lazarillo de Tormes and some fables by Aesop, but, overall, I would recommend getting the 8th edition if you have an option.

2 of 2 people found the following review helpful.
Not An Improvement
By Selene
I absolutely agree with Fred Wright.
These revised eds ought to be obliged to say what they've left out, as well as what they've added. The risk with this sort of venture is that a sort of competitiveness comes in: editing these vols is very prestigious (and lucrative), and the new eds start competing with the older ones, adding more recondite stuff, less accessible translations (check out the new Gilgamesh), and bossy little "clusters" (as if teachers were incapable of arranging their own courses), while ditching things which are obvious cornerstones of the "Western Tradition": Aeneid Book VI; Aristotle's Poetics. (It's almost incredible that those went!) Where the plates used to show the gold mask traditionally associated with Agamemnon and a tablet from the longest surviving text of Gilgamesh, we now have some obscure Egyptian figures and writing not represented in the Anthology. Meanwhile, all the bad decisions of Ed. 8 - the uneven Lombardo translations, the ugly Musa version of Dante - are all still there. And the map of the Roman Empire is still labelled in Latin.

2 of 2 people found the following review helpful.
I expect that when I rent a text book it ...
By john peragine
I expect that when I rent a text book it will be a little beat up and have some writing or highlighting in it, but I do not expect it to be filthy.

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Minggu, 10 November 2013

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(Guitar Educational). Expand your guitar knowledge with the Guitar Lesson Goldmine series! Featuring 100 individual modules covering a giant array of topics, each lesson in this Rock volume includes detailed instruction with playing examples presented in standard notation and tablature. You'll also get extremeley useful tips, scale diagrams, chord grids, photos, and more to reinforce your learning experience, plus audio featuring performance demos of all the examples in the book! A huge variety of rock guitar styles and techniques are covered, including: vibrato, string bending, string skipping, tapping, shred techniques, soloing approaches, exotic scales, rockabilly guitar, surf guitar, southern rock, and much more!

  • Sales Rank: #1066118 in eBooks
  • Published on: 2013-03-01
  • Released on: 2013-03-01
  • Format: Kindle eBook

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3 of 3 people found the following review helpful.
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1 of 1 people found the following review helpful.
If you want to get better at something
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Good Stuff
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Good book with a lot of varied ideas and info. Has stuff in there I always wondered about and this book illuminated me.

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In Elvis Presley: A Southern Life, one of the most admired Southern historians of our time takes on one of the greatest cultural icons of all time. The result is a masterpiece: a vivid, gripping biography, set against the rich backdrop of Southern society - indeed, American society - in the second half of the 20th century.

Author of The Crucible of Race and William Faulkner and Southern History, Joel Williamson is a renowned historian known for his inimitable and compelling narrative style. In this tour de force biography, he captures the drama of Presley's career set against the popular culture of the post-World War II South.

Born in Tupelo, Mississippi, Presley was a contradiction, flamboyant in pegged black pants with pink stripes, yet soft-spoken, respectfully courting a decent girl from church. Then he wandered into Sun Records, and everything changed. "I was scared stiff," Elvis recalled about his first time performing on stage. "Everyone was hollering and I didn't know what they were hollering at." Girls did the hollering - at his snarl and swagger. Williamson calls it "the revolution of the Elvis girls." His fans lived in an intense moment, this generation raised by their mothers while their fathers were away at war, whose lives were transformed by an exodus from the countryside to Southern cities, a postwar culture of consumption, and a striving for upward mobility. They came of age in the era of the 1954 Brown vs. Board of Education ruling, which turned high schools into battlegrounds of race. Explosively, white girls went wild for a white man inspired by and singing black music while "wiggling" erotically. Elvis, Williamson argues, gave his female fans an opportunity to break free from straitlaced Southern society and express themselves sexually, if only for a few hours at a time.

  • Sales Rank: #30526 in Audible
  • Published on: 2015-01-21
  • Format: Unabridged
  • Original language: English
  • Running time: 834 minutes

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35 of 38 people found the following review helpful.
Great Story Untold
By Elisa 20
I wish I could write a more favorable review. I can tell a lot of research went into this book and the writer, Joel Williamson, does a good job with organization and transitions (with one exception, below). The Vine copy is without any photos, not even on the cover--and no space where they would be placed--so it is hard to gauge the effect of photos when combined with text. That said, to paraphrase Don Rumsfeld, you review the book you have, not the book you wish you had.

It's too bad this book is good in some things but misses so much that I wish it had. There seems so little about Elvis Presley in it, who he really was, what he wanted, what he felt, his feelings and ideas about the music. It seems so disproportionately about him getting female audiences worked up on stage and then going to bed with a lot of women off-stage, but it's just not that interesting to read about. I didn't see any original research or even much from others who were important to him (women, roadies, musicians, Sam Phillips, Colonel Parker...anyone).

And I wish this book told me much more about the music and how Elvis brought something new into it all. Somewhere, too, (not just an occasional glimpse) would be the corrosive influence of Colonel Parker, his manager, who epitomized the bad side of the American Dream--the greed--and shaped Elvis to be a cash cow first, an artist...somewhere much further down the line. Williamson says that "Elvis didn't record anything good after 1958" but he doesn't really go into why that was the case, or how his manager didn't care at all about promoting his talent, just about getting his share of the easy money. That was such a tragedy.

I liked the observation that Elvis' Mississippi area had given America its "greatest entertainer (Presley), greatest playwright (Tennessee Williams) and greatest writer (William Faulkner)." And Williamson's emphasis on the influence of the South on Elvis is interesting, too, particularly for those of us unfamiliar with it, especially in the turbulent times of the 1950s and 1960s. But there's not enough about musical influences and styles, about playing and performing as a group and then as a solo artist. And there's too much, for me, even in the early years about all the audiences and their sexual desires and all the women that Elvis was bedding. I'm sure it could be written about interestingly, but I just found it to be too much and not interestingly written about at all. More to the point, the writing in general seems very textbook-ish in style, without bringing in a lot of facts or insights. There aren't a lot of quotes and there's not a lot of dialogue. Those things help liven up a biography. Here, I didn't really have a sense of anyone as a real person.

For a biography, that leaves a stilted feeling and one that was compounded (for me, at least) by not getting a feeling of what ELVIS felt and thought throughout his life. There's a narrative of events (including an odd chronological jump for several chapters, mid-story back to Elvis' childhood. One minute you're reading about him going into the Army in the late 1950s and the next, his father is talking about the war--but it's WWII and we're reading about Elvis' childhood. (Again, not much idea what he was thinking and feeling throughout it.)

Also, not to be unkind, but the Foreword (by the reader at the publishing house, Oxford University Press) does Williamson no favors in my opinion. This introduction dwells extensively on the idea of Presley's sexual appeal to his female audiences, far more than I think the book itself did, although that is a recurrent theme. That is certainly here, but there's more to Williamson's narrative than that, or than the well-known problems with drugs, weight and a group of hangers-on that didn't have his interests at heart.

I've always felt Presley was such a talent, not only his singing but the acting talent was there, too. Here, it was so sad how--just like Marilyn Monroe, another underrated actor with sex appeal--he kept trying to fight for good acting roles. (Unfortunately, once again, Colonel Parker gets away without the blame for destroying Presley's career that I think he should get. He was greedy and whatever could make him money--like Elvis starring in another cheesy beach musical--was what he cared about. If he had been interested in music--that great jazzy-bluesy-rockabilly music that Elvis started with and could have kept going into his "rock" and "gospel" years--"Elvis the Musician" wouldn't have done most of his best work by 1958. Similarly, if Tom Parker hadn't been motivated by personal gain, and had fought for good roles for him and shunned the cheap money-makers, Elvis might have been known as a great singer-actor, like Frank Sinatra or Bing Crosby of a different generation. He clearly had talent far beyond his peers in movies (Fabian, Pat Boone, Ricky Nelson, et. al). Unlike them, Elvis could really act.

I suspect the photographs will help (there should be a lot of them since their absence cuts the book's length by 50 pages), but without seeing them, I have no way to know. Judging on the text alone, which is what I have, I'd say this is well-researched and organized but pretty dry stuff with lots of mention about women he slept with, and not nearly enough about his personality, feelings, and most of all, his music.

25 of 29 people found the following review helpful.
Title ought to be "Elvis P***ed On My Wheaties"
By Suzanne Davenport
The book is very well-written, meticulously researched, and definitely benefits from Williamson’s knowledge of how Southerners lived and thought during Elvis’s lifetime. The first half takes an objective, careful and thoughtful look at Elvis’s background, upbringing and early career. Williamson provides very interesting insights on why Elvis was considered vulgar, why the girls screamed and cried when he stepped on stage, and the intensity of their love for him, in terms of Southern culture.

Then it takes a turn, and the author loses his objectivity. Apparently, around the time Elvis makes his first television appearances, something about him turns Williamson off in a really big way and he never gets over it. I don’t question his facts, but he finds fault with just about everything Elvis does; even good things have a sinister motive.

In this book, Elvis is a talented singer who deserves his fame from 1955 to 1958, but rides that early fame for the rest of his useless life to a well-deserved early grave of his own making. He’s self-centered, insecure, cruel, thoughtless, ridiculous with money, inconsiderate with women, self-indulgent, a bad dresser, a terrible husband, a distant father, and not too bright.

No question, Elvis Presley was at least some, if not all, of those things, but I truly wish the author had stayed on track with his original theme – how the Southern culture influenced his behavior, actions, and decisions, even the bad stuff – rather than spend the last half of the book Elvis-bashing. That would have been worth reading.

32 of 39 people found the following review helpful.
"...He's Just a Great Big Beautiful Hunk of Forbidden Fruit ..."
By delicateflower152
If you number yourself among the legion of Elvis fans and remember "The King" in his heyday, "Elvis Presley: A Southern Life" may shatter your image of that man. If you remember Elvis Presley in his later years and harbor feelings of repulsion and disgust, Joel Williamson's biography of that legendary entertainer may help explain Elvis' actions and may evoke your sympathy for the man.

"Elvis Presley: A Southern Life" provides a perspective on his life and times that is not a common one. In this more scholarly work, Williamson integrates Elvis' responses and actions with the cultural mores and attitudes of the South and the social changes occurring in the post World War II United States to give readers a more balanced view of Presley's rise and fall. The influence of African-American musicians and Presley's own impoverished upbringing are explored, as are the backgrounds and influence of his parents. Joel Williamson does not gloss over the more seamy aspects of Elvis' early life, nor does Williamson attempt to glorify or denigrate Presley's later actions. Williamson does delineate the importance of Elvis Presley's music and attitudes with respect to the changing of attitudes toward race. He writes "...Elvis brought blacks and whites together as if there were no race line in America. He also significantly melted the lines that might divide generations and genders, and religions and classes in the nation ..."

Through the years and as Joel Williamson follows the progression of Elvis' life and career, the reader of "Elvis Presley: A Southern Life" begins to see a deterioration in both Elvis' morals, his music, and the type of individuals comprising the entourage with which he surrounded himself. Elvis exuded a sexual magnetism and energy, Ed Sullivan may have been prescient with his initial comments about and impression of Elvis. Further, in the time before social media, fans that elevated Elvis to "star" status were unaware of - what would be termed today - his sexual addiction and pedophilia. In "Elvis Presley: A Southern Life", Joel Williamson does not shy away from Elvis' darker propensities. Yet Williamson relates this information in a manner that is nonjudgmental and dispassionate.

The advanced reader's copy of "Elvis Presley: A Southern Life" had no photographs included on its pages. However, since it contains 333 pages and the publisher's edition 384, the difference is likely the addition of photographs. These should enhance the text markedly and add to the reader's appreciation of the scholarship that producing this work required.

"Elvis Presley: A Southern Life" is a work of which Joel Williamson can be proud. Readers who remember the youthful Elvis Presley and his music may find the pages of this book reveal facts and information that is distasteful and harsh. Readers who remember only the older, declining Elvis and his glitzy Vegas shows may find "Elvis Presley: A Southern Life" affirms their negative view of "The King". Regardless of the view to which you ascribe, you will find Joel Williamson's discerning biography of Elvis Presley well-written and one that handles some difficult subjects with skill and discretion. The combination of biography with the social, sociological, and cultural influences of the time, clearly showing their impact on the subject and his life, elevates this book above most biographies about Presley.

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Food Is Better Medicine Than Drugs: Don't go to your doctor before reading this book: Your Prescription for Drug-free Health

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