Senin, 30 Desember 2013

[N452.Ebook] Ebook Free The Handbook of Election News Coverage Around the World (ICA Handbook Series)From Routledge

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The Handbook of Election News Coverage Around the World (ICA Handbook Series)From Routledge

The Handbook of Election Coverage Around the World focuses on the news coverage of national elections in democracies around the globe. It brings together and compares election news coverage within a single framework, offering a systematic consideration of various factors. Considering the prominence and power of the press in the election process, this volume will offer unique breadth in its global consideration of the topic.


 The volume will appeal to scholars in political communication, political science, mass media and society, and others studying elections and media coverage around the world.


 

  • Sales Rank: #2554285 in eBooks
  • Published on: 2009-09-10
  • Released on: 2009-09-10
  • Format: Kindle eBook

About the Author

Jesper Strömbäck is Professor in media and communication and Lubbe Nordström Professor and Chair in journalism at Mid Sweden University. He is also director at the Centre for Political Communication Research there. His research specialties include political news coverage, political campaigning and political marketing, and the news coverage of wars and crises. He has published more than ten books as well as articles in scholarly journals.

Lynda Lee Kaid is Professor of telecommunication in the College of Journalism and Communications at the University of Florida. Her research specialties include political advertising and news coverage of political events. She has also done work on political television in several Western European countries. She is the author/editor of more than 25 books and has written more than 150 journal articles and book chapters.

 

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Sabtu, 28 Desember 2013

[N382.Ebook] Download Ebook Extreme Ownership: How US Navy SEALs Lead and Win

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Extreme Ownership by Jocko Willink and Leif Babin | Key Takeaways, Analysis & Review

Preview:

Extreme Ownership by Jocko Willink and Leif Babin is a guide to applying leadership principles of the United States Navy's Sea, Air, and Land Teams (SEALs) to business. At the center of the strategies that Willink and Babin illustrate is taking complete responsibility for everything in which all leaders are involved....

PLEASE NOTE: This is key takeaways and analysis of the book and NOT the original book.

Inside this Instaread of Extreme Ownership:

  • Overview of the book
  • Important People
  • Key Takeaways
  • Analysis of Key Takeaways

  • Sales Rank: #5796 in Audible
  • Published on: 2015-12-03
  • Format: Unabridged
  • Original language: English
  • Running time: 30 minutes

Most helpful customer reviews

3 of 3 people found the following review helpful.
I really enjoyed the book but you lose a lot of context ...
By Paul Crocker
I read the book first and bought this to share with coworkers. I really enjoyed the book but you lose a lot of context with this summary.

8 of 11 people found the following review helpful.
~~ Tips on how to be a good leader ~~
By Richard and Liz
Authors Jocko Willink and Leif Babin wrote the original book having gained real life experience working together in the US SEALs. After leaving the SEALs they "founded the leadership consultancy firm Echelon Front to bring the leadership lessons of the SEALs to the private sector". In this Instaread summary (think DETAILED review) which is a little longer than usual, the reader is presented with 12 Key Takeaways. Here are three to whet your appetite:
>> #1 - "Leaders must demonstrate extreme ownership with everything they have responsibility over."
>> #8 - "Plans and principles should be simple to ensure that they are understandable by everyone involved and easy to communicate. A plan that is unnecessarily complicated is more likely to fail."
>> #9 - "A thoroughly detailed plan that every team member understands is vital to mission success. A good plan accounts for all likely risks and allows for flexibility."

As leaders it is easy to want to pass the buck / blame onto someone else but it is important for a leader to take responsibility. Babin takes responsibility for the death of Marc Lee, a SEAL who died under his command. How is ego an obstacle to good leadership? We all know how important cover is in military maneuvers but how about in the business world?

A great book for leaders with much practical advice. With the original book at 317 pages, this Instaread summary is a great option for those who want/need to know what the original book is all about and get a gist of some great leadership qualities. Please note that my review is based on the quality of this Instaread review and NOT the contents of the original. Book provided in exchange for an honest review. Thanks, Liz

4 of 5 people found the following review helpful.
This is NOT a book!
By TopNotch
Be warned: This is not really a book and there are no descriptions of combat. Instead it is a very thin, 31 page (large type) book of leadership points. I have purchased and read many great books from Amazon. This is not one of them. The two authors are highly decorated SEAL veterans of the Iraq war. The points they make are certainly relevant, but none are of the "that's something I had never thought about" type. I was shocked when I received this as I had thought it would be a book with some interesting stories and post-op analysis. Unfortunately, I can not recommend it. Amazon should have done a better job of explaining that this was not a book. I was going to return it, but because I only paid $7.00, I didn't bother.

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Jumat, 27 Desember 2013

[W587.Ebook] Ebook Download Anatomy and Physiology Bio 120/121 Lab Manual (Laboratory Manual), by Joan I Barber

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Excellent Condition...like new.

  • Sales Rank: #4218376 in Books
  • Published on: 2008
  • Number of items: 1
  • Binding: Spiral-bound

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Minggu, 22 Desember 2013

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Integrated Cardiopulmonary Pharmacology, Third Edition, offers instructors and students an engaging, interactive teaching and learning experience. The text's integrated approach includes perspectives from both pharmacists and respiratory therapists. In addition, pharmacology is linked to physiology and pathology to give students complete, cohesive coverage. Extensive clinical examples, special features, a continuously updated website, and "splashes" of light humor throughout the book help students learn the concepts and get the latest information on new drugs on the market.

  • Sales Rank: #656909 in Books
  • Published on: 2011-01-28
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .60" w x 7.90" l, 1.27 pounds
  • Binding: Paperback
  • 384 pages

Most helpful customer reviews

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Book was in amazing condition for being used. No writing or highlightening in book. I would definitely recommend.

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Minggu, 15 Desember 2013

[B470.Ebook] Free PDF The Agency: William Morris and the Hidden History of Show Business, by Frank Rose

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For decades, hidden from the public eye, William Morris agents made the deals that determined the fate of stars, studios, and networks alike. Mae West, Frank Sinatra, Marilyn Monroe, Danny Thomas, Steve McQueen--the Morris Agency sold talent to anyone in the market for it, from the Hollywood studios to the mobsters who ran Vegas to the Madison Avenue admen who controlled television. While the clients took the spotlight, the agency operated behind the scenes, providing the grease that made show business what it's become.

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  • Sales Rank: #461495 in Books
  • Brand: Brand: HarperCollins
  • Published on: 1995-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 2.00" l,
  • Binding: Hardcover
  • 528 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
The growth of the William Morris Agency, founded in 1898, has mirrored the evolution of the entertainment industry. The agency began by booking vaudeville acts, then continued to supply talent to the ever-changing show biz formats?silent movies, radio, "talkies" and TV. And as entertainment become more of a big business, the power of the Morris Agency grew along with it. Rose's descriptions of the formative years of the agency and show business is slow-moving, but his narrative picks up as he details the era of Abe Lastfogel, who headed Morris from the early 1930s to 1969. Rose (West of Eden) really hits his stride in the last third of the book, when his focus shifts from the stars to the Morris agents themselves. Here he vividly describes the Machiavellian tactics employed by the firm's agents against other agencies and against each other to steal clients to advance their own power. Infighting among the Morris agents became public in 1975 when Michael Ovitz and four others bolted to form Creative Artists Agency. Entertainment-industry junkies will find Rose's entire work enjoyable, but more casual readers will likely skim the early sections. Photos not seen by PW.
Copyright 1995 Reed Business Information, Inc.

From Booklist
This would be a fascinating enough story if it was limited to the history of the William Morris Agency, the theatrical agency that has dominated the entertainment industry since the days of vaudeville. But you can't tell the William Morris story without immersing yourself in the history of show business in the twentieth century--how it evolved, who the movers and shakers were, where the business might be heading as the century draws to a close. Rose's exhaustive research is evident throughout. More than 200 sources were used, and while these personal remembrances are what gives the book its depth, the numerous anecdotes also occasionally weigh it down. Not that there's anything very dishy here. One would expect that a story featuring a cast of characters like Marilyn Monroe, Barbra Streisand, Frank Sinatra, and Bill Cosby, to name a few, would have a few tales to tell, but Rose sticks pretty much to the business side of their lives. The real stars here are the agents themselves. For once, the backstage boys get to step center stage, and it's power and influence that give them their glow. Ilene Cooper

Review
"A cram course on the modern entertainment business as seen...from the point of view of the humble apparatchiks who doggedly tried to prevent the lunatics from wrecking their asylum." --New York Times Book Review

"The Agency is more than a titillating string of boldface names... Rose uses the saga of the Morris Agency's rise and fall as a prism through which to examine the constantly evolving nature of show business." --Los Angeles Times Book Review

"If you like to read juicy details of the usually dysfunctional lifestyles of movie and television stars, this is a book for you." --Chicago Tribune

"Reveals the shark tank at its most lethal and hilarious." --San Francisco Chronicle

"It's a darker side of show biz than one sees on Entertainment Tonight." --USA Today

Most helpful customer reviews

0 of 0 people found the following review helpful.
A Very Informative Book
By Kevin Treglia
This book is a highly detailed account of the William Morris Agency. It details the people and the events that helped it evolve into the company it is today.

3 of 3 people found the following review helpful.
Terrrific book
By David Rensin
Frank Rose's book really delivers a fascinating history of William Morris. It's not about the stars as much as the men (and women) who helped make the stars -- the "star-making machinery" as Joni Mitchell sang in "Free Man in Paris," her ode to David Geffen, himself one of the William Morris men who, incidentally, became a star himself. The Agency is substantial stuff -- and it was a full on inspiration for my own book, The Mailroom, which came later, and covered the Wm Morris Agency in part. Classic stuff, this book.

8 of 14 people found the following review helpful.
Tedious History of Agency Filled With Names But Little Else
By Mediaman
After seeing this book referenced in a couple Hollywood biographies, I expected to have a book filled with interesting insider stories of the movie and TV business. Instead this lengthy historical project is filled with page after page of unfamiliar names of agents and the stars are only peripheral to the story.

The main problem is that the author tries to cover too much territory--explaining almost 100 years of the William Morris agency. The beginning years of vaudeville could have been covered in a few paragraphs instead of 50 pages. The minute details of insignificant agents should have been left out and instead the focus could have been on the Hollywood stars served by the agents.

There are a few interesting tidbits, but rarely is any detail given to any subject. The early years of television include some often unheard facts about how stars were drawn to the tube. But major events in the business get a paragraph or two. Most of it is based on second-hand research from others books, which results in a number of mistakes by omission or "facts" taken out of context.

At almost 500 pages, it's a long, tedious bore that will only be of interest to entertainment historians. It's not for those looking for an entertaining read filled with insights into how Hollywood works.

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Rabu, 11 Desember 2013

[B128.Ebook] Download The Story of Medicine, by Victor Robinson

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The Story of Medicine, by Victor Robinson

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

  • Sales Rank: #5352338 in Books
  • Published on: 2005-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.28" w x 5.98" l, 1.84 pounds
  • Binding: Paperback
  • 576 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
A story of medicine from the secular humanist perspective
By Dr. Miguel Faria
The Story of Medicine by Victor Robinson, M.D. The New Home Library, New York; 1943. Bibliographical Notes, Indexed, 564 pages.

Dr. Victor Robinson was Professor of History of Medicine, Temple University School of Medicine, Philadelphia.[1] Because the history of medicine has been neglected for decades, this specialty will no longer be found listed among the faculty or the subject of any medical school curriculum. This is a deficiency that the late scholar Plinio Prioreschi, M.D., PhD, lamented in the first three volumes of his monumental A History of Medicine, and I cannot help mentioning it too.[2,3,4] Medical history is medicine and medical ethics and should continue to be a subject of study and research for future physicians. If they don't know where they come from, how do the young doctors know where they are going or are being led by others?

Unfortunately, this book has its own detractions. I will not dwell on the difference in interpretation on medical history, but I would be remiss if I did not mention several instances in which I find fault with this author. One has to do with Chapter 3, "Greek Medicine in Rome."[7] Rome, Roman culture and Romans in general are depicted in the worst possible light. Robinson obviously has a prejudicial view of Roman civilization and cannot prevent his bias from entering into the narrative. This is inexplicable for a professor of medical history, and I must call it as I see it. The worst sides of Cato the Elder, Julius Caesar, even the great historian Tacitus, are presented in their darkest moments. Tacitus himself is thrown on the pile of Romans who were, according to Robinson, "students of sexual perversions and psychopathology."[7] Rome itself, Robinson trumpeted, is a "brothel with emperor or empress as chief whoremonger. Julius Caesar gave his virginity to King Nicomedes...the bald adulterer -- which is why he insisted on wearing the laurel-crown...." Which brings us to the point that this is a book on medical history and not on the debaucheries and sexual perversions of Rome, as tantalizing as that subject may be. It is also not fair to so characterize the great civilization that brought us the marvels of civil engineering, jurisprudence, classical scholarship (e.g. Cicero, Varro, Vitruvius, Pliny, etc.), literature (e.g., Virgil, Horace, Ovid, Juvenal, Lucretrius [the only Roman singled out for praise without caveats], etc.), historians (e.g. Livy, Plutarch, Tacitus, etc.), as well as public health advances, which were not to be surpassed until the 19th century. It was also Roman power that kept the barbarians at bay for centuries until Christianity had half tamed them before the final collapse of Rome in A.D. 476. It is also unfair to the exalted medical figures who practiced Roman medicine, e.g., Celsus, Scribonius Largo, Dioscorides, Asclepiades, Soranus, Galen, etc.

Moreover, this incursion into foreign territory by Robinson brings errors into the narrative.[7] While the peccadillos on emperors, empresses, and Julius Caesar may have been correct in many instances, Robinson makes blanket statements condemning an entire civilization. As to the laurel crown, it is factually incorrect. It was an Oak Crown won by Julius Caesar as a young military commander when he saved a whole Roman legion from utter destruction in a war in Asia Minor. The Oak Crown was awarded to him and by the laws of Sulla, Caesar was to wear it on all public occasions, such as at the Senate, and other civic ceremonies, which for men of his standing were frequent.

This anti-Roman bias is also depicted throughout the entire chapter, including medical history itself. For example, Robinson delights in describing the disgusting and inefficient medications (Dreckapotheke) prescribed by the Roman pater familiae for their families, slaves and themselves. It gives the impression that the Dreckapotheke was the invention of the Romans when, in fact, these filthy and disgusting substances were prescribed by physicians in all ancient civilizations, including Greek physicians in the Corpus Hippocraticum.[2-3]

Robinson does not like Galen, the man or the clinician, even when he reluctantly admits Galen is a "giant among dwarfs" and credits him as "the founder of experimental physiology." Galen is loudly applauded only when he derides and excoriates his physician colleagues for their alleged ignorance, greed, and sycophancy. He also applauds Galen's diatribes against athletes and physical sports.[8]

The problem with this author is that he passes judgment on historical figures based on the standards of his own time, and not of the era in question. He passes harsh judgment on Galen because the great physician from Pergamum also subscribes to teleology, which is a major academic sin in the eyes of Robinson, who smells religion at every turn, even from a pagan. At the heart of the matter for Robinson is Galen's unpardonable sin, same as for Aristotle's -- i.e., the teleological concept of intelligent design and final cause and the belief of these men in the existence of a Creator.[9] As will become evident to the reader this is an unforgivable intellectual sin and anathema to Robinson's inchoate secular humanism.

In Chapter VI, "Arabian Medicine in the Middle Ages," despite the title, Robinson takes a Parthian shot at Rome, his first bogeyman, and then enters the realm of early Christian theology and history to take aim at his second bogeyman, or rather punching bad, the Medieval Christian Church. He writes: "Even the crimes of Imperial Rome grow pale in comparison with the amount of human blood that was now shed over myths."[10]

Robinson then gallops, condemns and describes graphically the evils of the Christian Crusades, while forgetting to relate the much more bloody Mohammedan conquests of the 7th and 8th centuries, which are largely glossed over. Robinson then anathematizes the three monotheistic religions, but Christianity is always the worst offender, receiving the highest vituperations. Only Buddhism is cited for praise and given credit for peace, compassion and the inception of the first hospitals. Islam is cited positively in this regard, but Christianity is given no credit, cited only for violence, ignorance, and superstition. Animosity then animates Robinson, who forgetting the contribution of monks, such as Cassiodorus (c. A.D. 490-580) already copying and preserving the Greek and Latin classics a century earlier in the Benedictine monasteries of the West,[11] writes:

From Jundisapur, Greek science spread throughout the Moslem world. When the intellect of Europe was so clouded by monkish fables that the monasteries were buying milk purportedly to come from the breast of the Blessed Virgin, barbarian brown-skinned tent dwellers became the saviors of Greek philosophy.[12]

The attempted amalgamation of Origen between Christianity and the teachings of Plato and Aristotle is described as, "a bridge over which antiquity walked into Medievalism."[10] Once again rancor befuddles Robinson who forgets that after the fall of Rome in A.D. 476, it was the Dark Ages which followed for nearly 500 years before the Middle Ages can be characterized as Medievalism (A.D. c.1000-1300). Acrimonious bias against Christianity unfortunately mars this book in many places.

We finally enter the topic at hand in this chapter, and we read sympathetic biographies of the Arabic and Islamic physicians and medical philosophers: Rhazes, Avicenna, Avenzoar, Averroës, and Albucasis, all get good marks. Albucasis hardly gets upbraided for making cautery, the hot iron, the hallmark of Islamic surgery. Averroës, an Islamic dissenter who admired Aristotle and attempted to reconcile the Greek sage to Islamic teachings, gets a hagiography; but Maimonides, a devout Jewish physician and philosopher, gets a bad rap for his attempted reconciliation of Aristotle with Judaism.[13]

All religions are bad enough but some religions and devotions are worse than others, at least in the mind of Robinson, and the intolerance he traces to the three monotheistic religions creeps into his own writings with a vengeance. Particular venom is directed to Christianity. Early in Chapter VII, "European Medicine in the Middle Ages," Robinson summarizes what we can expect to find in this chapter, and what we also have come to expect from him. We're not far off the mark. He writes:

It's a tragic day for Europe when it exchanges the myths of the Greeks for the myths of the Jews. Jupiter smiles in Homer and laughs aloud in Hesiod, but Jehovah of the Jews is a chronic dyspeptic, belching fire and brimstone, threatening and cursing, hating and slaughtering the human race. Intolerance is his keynote, and destruction is the passion of the Lord of eternal vengeance. The gloom of the Scriptures descends upon medievalism.[14]

Thus, Chapter VII is another an eye-opener. Although much of what Robinson writes is true and his conclusions are frequently valid, his intensity and zeal to expose "superstition" often lead him astray. Robinson for example had forgotten that he had excoriated and condemned Rome and her civilization, but now suddenly he realizes that the fall of Rome has caused the curtains of the Dark Ages to fall on the stage of Europe and the "bloodthirsty" Romans are supplanted by the "bloodthirsty" Christians. The fact that Rome kept the barbarians in the West at bay for centuries safeguarding the Mediterranean sea, encouraging trade and commerce, and protecting Greek and Roman civilizations, did not occur to Robinson. The fact that Christianity had partially tamed the barbarian conquerors did not enter his mind. Those facts are not admitted or considered. He sees only the dark side of Rome and Western institutions. The Fall of Rome is only lamented because Christian religion enters the picture in a big way. Instead of accepting the verdict of history that cannot be undone, Robinson now castigates Europe for the inception of mysticism, superstition, pietism, and religion -- which now in his mind is a blend of two evil bogeymen: Roman culture and Christianity. Graeco-Roman medicine, he laments, has been substituted for supernaturalistic Christian piety. Only Arabian and Islamic medicine are given credit for recovering and preserving Greek naturalistic medicine and the works of Aristotle. Once again Robinson has forgotten and barely mentions the two other repositories of learning, the Christian Benedictine monasteries, where monks copied the classics and practiced monastic medicine, and the basilicas in Christian Constantinople, where exegeses were published and the scribes also preserved and copied invaluable manuscripts.[4,11]

As we have seen Robinson has been belching his own fire and brimstone against sundry malefactors, from Greek medicine in Rome and Roman culture to European Medievalism, so much so that he clouds his own "story of medicine." Consider his accusation that ancient Roman and later European Medievalism prevented human dissection and the collection of anatomical knowledge essential to medicine and surgery. And the fact that this antipathy to dissecting the human body, to add to Robinson's ire, occurred despite the "butchery" and "bloodshed" of pagan Romans as well as Medieval churchmen, who had plenty of material, corpses from the carnage, available for anatomical study! Incidentally he inflates his figures for the bloodshed and provides no references. The fact is ancient Egyptians performed millions of embalmings and also did not do any human dissection of the bodies in search of anatomical knowledge; neither did the Mesopotamian or Chinese physicians. And the Greek naturalists, so much praised by Robinson in other matters, themselves did not perform human dissection. The Greeks also refrained from opening cadavers despite their curiosity about nature and the world around them. Other than Aristotle and Galen, who performed systematic animal dissection, there were no anatomists in the ancient world, except for the brief tenure of Herophilus and Erasistratus in Alexandria in the 3rd-4th century B.C., who actually performed human dissection, which was not continued by those who followed. Dr. Plinio Prioreschi has noted that anatomy was of little use to physicians and surgeons in ancient times.[3,4] Even after the great advances in anatomical knowledge and physiology during the Renaissance with Andrea Vesalius (1514-1564) and then with William Harvey (1578-1657) -- not until the 19th century would scientific and clinical medicine make systematic strides forward, and not until the turn of the century would a seriously ill patient benefit with a greater than 50% chance from consultation with the physician.[2-4]

Chapters VIII, IX, and X deal with medicine during the Renaissance and through the Seventeenth and Eighteenth Centuries and describe the medical arts in those epochs,[15] including the thwarted scientific revolutions started with Vesalius and Harvey, revolutions that did not bring about practical advances until the 19th century as mentioned.[2-4]

In short, those readers who share Robinsons' aversion to European culture and Roman civilization in general and to religion and Christianity in particular, will love this book within the context of medical history. Those on the opposite side will raise their eyebrows and raise objections, as I have done. Those who are less fastidious about these political, ideological and cultural matters, and who thirst for medical history, will find this book helpful, except perhaps for the final chapters --i.e., Chapters XI, XII, and XIII dealing with the Modernization of Medicine, Medicine in America, and Sociology in America --which could be judged as tedious, out-of-date, and with mixed prognostication for the future of medicine.[16]

Nevertheless, despite these major concerns, I would recommend this book to students of medical history with serious reservations. For readers who enjoy Robinson's style of narrative but without the vituperations, I would also recommend Devils, Drugs and Doctors (1929) and The Doctor in History (reprinted 1989) by Howard W. Haggard (1891-1959). Haggard matches Robinson on eloquence, erudition, and wit without evoking prejudicial biases. And his storytelling abilities are superior. For more recent references and scholarly work, I recommend the relatively new, multi-volume classic, A History of Medicine, by Plinio Prioreschi, MD, PhD,[2-4] -- works which I am in the process of reviewing, at least the first three volumes. This review is extracted from a longer review

References

1. Robinson V. The Story of Medicine.The New Home Library, New York; 1943.
2. Prioreschi P. A History of Medicine. Vol. I: Primitive and Ancient Medicine. Omaha, Nebraska: Horatius Press; 1995.
3. Prioreschi P. A History of Medicine: Vol. II: Greek Medicine. Omaha, Nebraska: Horatius Press; 1996.
4. Prioreschi P. A History of Medicine: Vol. III: Roman Medicine. Omaha, Nebraska: Horatius Press; 1998.
5. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p. 47-48.
6. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p. 70-71.
7. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p. 86-87.
8. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p. 127-130.
9. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p.131-33.
10. Robinson V. The Story of Medicine.The New Home Library, New York; 1943, p.136.
11. Faria MA. Vandals at the Gates of Medicine: Historic Perspectives on the Battle over Health Care Reform -- Historic Perspectives on the Battle Over Health Care Reform. Macon, GA: Hacienda Publishing, Inc.; 1994, p. 266-274.
12. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p.134-146.
13. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p.146-192.
14. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p.196-197.
14. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p.238-370.
14. Robinson V. The Story of Medicine. The New Home Library, New York; 1943, p.371-520.

Miguel A. Faria Jr. M.D. is a neurosurgeon and the author of the book, Vandals at the gates of Medicine (1995) and many articles on science, politics, and medicine.

0 of 0 people found the following review helpful.
great overview of medical history within the context of the 1930s
By Amazon Customer
Victor Robinson M.D. is the Mark Twain of medical writers. His journalism is insightful and engaging. I got turned onto him with a previous work--"An Essay on Hasheesh." When I'm done reading the book I'm going to be getting more Dr. Robinson's writings. "The Story of Medicine: From Medicine Man to Modern Physician" should be in the library of everyone in the medical profession as well as those are considering the profession as a career.

0 of 0 people found the following review helpful.
The best history of medicine ever written
By Adjudged
The ultimate history of medicine by a consummate writer - I have read many and this one is the best. Enthralling. Read the introduction to James Marion Simms, M.D. and you will be in love

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This volume looks into the lives of the New Testament women who made phenomenal contributions to the plan and work of God. Nearly 200 pages are dedicated just to the story of Mary - from her lineage in the house of David to her miraculous role as the mother of our Lord. Even so, Mary's humble response to God's favor was, "Behold, the handmaiden of the Lord." In this book, Brother Swaggart also explores the tremendous faith of these women: Mary Magdalene, who announced the resurrection of Jesus Christ; Mary and Martha, who watched Him raise their brother Lazarus from the dead; Phebe and the elect lady, and Lydia, who hosted the first church in her home. Two chapters also address the roles of women in the and in the church.

  • Sales Rank: #1118943 in Books
  • Published on: 2014
  • Number of items: 1
  • Binding: Hardcover

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Selasa, 19 November 2013

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Wicked Angel, by Julia London

Forbidden love is always a scandalous choice....

She raced across the pasture, vaulted a fence, and landed, stunned and breathless, on top of the most handsome man she had ever seen. The bemused stranger stayed to capture the fancy of the brood of orphaned children in her charge, then stole Lauren Hill's heart with a searing kiss as he left. Lauren couldn't tell him she was a widowed countess fallen on hard times. She tried to forget him--until she saw him again at a London ball. The man who haunted her dreams was a duke, out of her class...and he was pledged to another woman.

The ton is ablaze with talk of the ravishing Bavarian countess. Stunned, Alexander Christian, Duke of Sutherland, recognizes Lauren as the country girl who's captured his heart. Duty has forced him to pledge himself to another, to take his proper place in society and in Parliament. He wants one night with his blue-eyed enchantress, but will he be able to walk away from her again, or will he risk it all to be with the woman who fires his blood and makes him think of a . . . Wicked Angel.

  • Sales Rank: #839885 in Books
  • Color: Pink
  • Brand: Dell
  • Published on: 1999-05-11
  • Released on: 1999-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.05" w x 4.15" l,
  • Binding: Mass Market Paperback
  • 384 pages
Features
  • Great product!

From Publishers Weekly
Lauren Hill is about to be married off to the highest bidder once again by her greedy guardian, who is livid that she gave up her late husband's fortune. She tries to stop his matchmaking schemes by going into trade with the local villagers, but her estate is in dire straits and she needs a cash infusion. Lauren's guardian blackmails her into agreeing to spend a season in London and eventually get married. The ton is enchanted with the beautiful Countess Bergen (her official, if empty, title). Lauren, however, is disappointed with the men, especially when she compares them to a certain kind and generous country gentleman she met briefly that summer named Lord Alex Christian. No one is more surprised than she when Christian turns out to be none other than the aloof, influentialAand engagedADuke of Sutherland. Despite his duties and responsibilities, Alex breaks his engagement for his new love. Yet Lauren cannot bear to bring scandal to the man she loves and becomes engaged to another. London (The Devil's Love) fails to enliven an overused plot in this lukewarm Regency.
Copyright 1999 Reed Business Information, Inc.

From the Inside Flap
Forbidden love is always a scandalous choice....
She raced across the pasture, vaulted a fence, and landed, stunned and breathless, on top of the most handsome man she had ever seen. The bemused stranger stayed to capture the fancy of the brood of orphaned children in her charge, then stole Lauren Hill's heart with a searing kiss as he left. Lauren couldn't tell him she was a widowed countess fallen on hard times. She tried to forget him--until she saw him again at a London ball. The man who haunted her dreams was a duke, out of her class...and he was pledged to another woman.
The "ton is ablaze with talk of the ravishing Bavarian countess. Stunned, Alexander Christian, Duke of Sutherland, recognizes Lauren as the country girl who's captured his heart. Duty has forced him to pledge himself to another, to take his proper place in society and in Parliament. He wants one night with his blue-eyed enchantress, but will he be able to walk away from her again, or will he risk it all to be with the woman who fires his blood and makes him think of a . . . Wicked Angel.

About the Author
Julia London was raised on a ranch in West Texas, where she spent her formative years in the middle of vast wheat fields driving a tractor at the reckless speed of five mph. In spite of her humble beginnings, Julia went on to earn a degree in government and eventually landed in Washington, D.C. There for nine years, Julia had her brush with greatness when one day she actually shared an elevator with a senator from Iowa. She eventually returned to Texas and now lives in Austin with two enormous Labrador retrievers. Wicked Angel is Julia's second book and a sequel to her first, The Devil's Love. Julia is currently working on her next book for Dell.

Most helpful customer reviews

30 of 31 people found the following review helpful.
An exhausting but very rewarding book!
By V
When I finished reading Wicked Angel, I had to just stop everything and let my mind rest. I was overwhelmed and exhausted emotionally! From almost the beginning of this book, I knew that it was a five star rated book. It was immediately engrossing.
Alex Christian, the Duke of Sutherland, carries a lot of responsibility on his shoulders. He is, of course, known in all of England because he is a duke, terribly handsome, very rich, single, young, and extremely influential politically. As he believes it is time for him to marry and produce an heir, he has requested the hand of an important political ally's daughter in marriage two years previously. They will be married within six months. He doesn't love the girl but is fond of her and knows she will make a great duchess. He is yet another one of those heroes that think love for a spouse is neither realistic nor desirable. Then his well-ordered life takes a sudden shift. He is hunting at his country lodge when he stumbles upon a country lady having a disagreement with a belligerent hog. He is so taken with her that he extends his hunting trip just to be around her. He knows it is all nonsense because of all his duke duties but cannot resist her for a little while. During this two-week period, their relationship is innocent and sweet. But his responsibilities require him to return to London and Alex never expects to see the lovely country lady again although it makes him very sad.
Lauren Hill is that lovely country lady. Although her speech, education, and mannerisms proclaim her a lady, she first encounters Alex as she is singing to a hog in a cornfield right before the animal charges her and she leaps across the fence into Alex's arms. For the next two weeks, he observes her perform all sorts of manual chores and even sees her wearing her brother's old pants and shirt. He is shocked but pleasantly surprised to find that she has five wards, orphans, who she cares for and loves deeply. Lauren is totally taken with Alex and finds herself in love with him. She has no idea that he is a duke. Lauren lives on a run down country estate with her uncle, brother, housekeeper, a mentally challenged boarder, and the five orphans. She is desperately attempting to make a living from the old estate. Her uncle wants to her to marry and better their situation but Lauren has no desire to marry again.
Lauren's uncle, some years previous, had bartered her in marriage to a very old Count from Germany. She was married to the old Count for two years prior to his death. Since she had not provided him with an heir - a portion of the marriage agreement - she returned her inheritance, as his Countess, to the next Count and returns home to England penniless, much to her uncle's chagrin.
Now fast-forward four months to London. Lauren's uncle has forced her back into society so that she may marry well once again. She is introduced everywhere in London by her married title of Countess. Imagine both Alex and Lauren's great surprise when they encounter each other at a party and find that each bears a title. Neither one of them is very happy with the other because of the little secrets they have both withheld. However, Lauren is ecstatic to see Alex and then heartbroken when she is informed that he is engaged and will be married in two months.
Now the real story begins and it is a roller coaster. Lauren's uncle is blackmailing her to remarry well. She cannot waste time with Alex but he won't leave her alone. He seems to be everywhere she goes and although he believes he can never marry Lauren, he is obsessed with her. Of course, several very eligible men are pursuing Lauren and are very serious in marrying her. This makes Alex crazy with jealousy. This is certainly a time when the old saying "You can't have your cake and eat it too" would definitely apply to Alex because that is exactly what he wants. He wants Lauren despite the fact that he is getting married.
We see much kindness and caring from both Alex and Lauren. They are both very likable characters. The story was wonderful and it was difficult for me to ever put it down. There are only two sensual scenes and they rate a 4.0 out of 5.0 (see More About Me for rating guidelines). You don't miss these sensual scenes because this is one of those books that has such good writing - it isn't missed. Towards the end of the book, the leads hit some really rough spots and you feel drained and a little betrayed that the story has taken such a sudden turn. There are some major issues to be addressed. This is my one criticism of the book. This sudden turn of events feels like one of those overwritten romance novel plot lines that just doesn't seem necessary.
This was my first book by Julia London. I am definitely looking forward to reading her other books. I think I have uncovered yet another great author. And although I did not appreciate the plot twist late in the book, I still hold Wicked Angel in very high esteem. It was fun, entertaining, amusing, sad and, at times, distressing. It is overall a very well written book that deserves its high rating.

0 of 0 people found the following review helpful.
Sooo Sooo Good...Heartwrenching
By RETSmile
Okay, I take back anything I've ever said about poetry spewing heroes. This one did it for me. I love both the hero and the heroine in this story. You can f e e l this tumultuous relationship as you read. This author carefully cultivates both the characters and the relationship. This and The Devil's Love are my two favorite books by London and two of my favorite HR's as well. This was my second time reading Wicked Angel and I loved it the first time too.

The hero and heroine both want to do their duty to their stations and responsibilities in life but their love is so strong that it pulls them out of their life plans and puts them in circumstances for which neither are prepared or know how to handle. The reader travels with them through their struggle, in what seems like an impossible situation, to figure it all out. The book is smooth through these problems, no abrupt "realization" or too easy solution. These characters suffer their actions and decisions. The H/H are intelligent and caring and this is a fantastic, highly recommended read.

2 of 2 people found the following review helpful.
Sigh....
By Viv
I LOVED this book. I have just discovered Julia London. I must have been living under a rock. Wicked Angel WAS an emotional roller coaster, and I felt all the pain and joy they did. I was so engrossed, I read it in a day.

My stomach fluttered from begining to end. The hero was betrothed to another, but was madly in love with the heroine. The heroine was desperately in need of money and needed to marry a rich man. She travels to London in her quest. The hero, is very jealous of her suitors, but as he is betrothed he has no say in her life.

How do they overcome this huge obstacle? This is a 5 star book. Well done J. London.

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Senin, 18 November 2013

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  • Sales Rank: #2192285 in Books
  • Published on: 2015-08-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.51" h x .76" w x 6.01" l, 1.45 pounds
  • Binding: Hardcover
  • 304 pages

Most helpful customer reviews

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A classic, reimagined.

A completely new editorial team, dozens of new selections and translations, all-new introductions and headnotes, hundreds of illustrations, redesigned maps and timelines, and a completely revamped media program all add up to the most exciting, accessible, and teachable version of “the Norton” ever published.

  • Sales Rank: #14174 in Books
  • Published on: 2014-02-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 2.40" w x 6.10" l, 4.10 pounds
  • Binding: Paperback
  • 2928 pages

About the Author
Martin Puchner is the Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University. He is the author of The Drama of Ideas: Platonic Provocations in Theater and Philosophy (2010), Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (2006), and Stage Fright: Modernism, Anti-Theatricality, and Drama (2002). His edited books and introductions include Six Plays by Henrik Ibsen (2003), Lionel Abel's Tragedy and Metatheatre (2003), The Communist Manifesto and Other Writings (2005), and Modern Drama: Critical Concepts (2007). He is also co-editor of Against Theatre: Creative Destructions on the Modernist Stage (2006), The Norton Anthology of World Literature, Third Edition (2012), and The Norton Anthology of Western Literature, Ninth Edition (2014).

Suzanne Conklin Akbari is Professor of English and Medieval Studies at the University of Toronto. Her books include Seeing Through the Veil: Optical Theory and Medieval Allegory (2004) and Idols in the East: European Representations of Islam and the Orient, 1100–1450 (2009). Among her edited volumes are Marco Polo and the Encounter of East and West (2008), co-edited with Amilcare Iannucci, and the Oxford Handbook to Chaucer (2013).

Wiebke Denecke is Associate Professor of Chinese, Japanese, and Comparative Literature at Boston University. She is the author of two books, The Dynamics of Masters Literature: Early Chinese Thought from Confucius to Han Feizi (2010) and Classical World Literatures: Sino-Japanese and Greco-Roman Comparisons (forthcoming).

Barbara Fuchs is Professor of Spanish and English at UCLA, where she also directs the Center for Seventeenth- and Eighteenth-Century Studies and the William A. Clark Memorial Library. She is the author of Mimesis and Empire: The New World, Islam, and the Construction of European Identities (2001), Passing for Spain: Cervantes and the Fictions of Identity (2003), Romance (2004), and Exotic Nation: Maurophilia and the Construction of Early Modern Spain (2009). She is also a co-editor, with Aaron Ilika, of two captivity plays by Miguel de Cervantes: The Bagnios of Algiers and The Great Sultana (2009).

Caroline Levine is Professor of English at the University of Wisconsin–Madison. She has written two books: The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003) and Provoking Democracy: Why We Need the Arts (2007). She is co-director of the Andrew Mellon World Literature(s) Workshop at the University of Wisconsin.

Pericles Lewis is the Founding President and Professor of Humanities at the Yale-NUS College in Singapore. He is the author of three books―Modernism, Nationalism, and the Novel (2000), The Cambridge Introduction to Modernism (2007), and Religious Experience and the Modernist Novel (2010)―and editor of The Cambridge Companion to European Modernism (2011). He is the founder and editor of The Modernism Lab, a virtual space for collaborative research on modernism.

Emily Wilson is Associate Professor of Classical Studies at the University of Pennsylvania. She is the author of Mocked to Death: Tragic Overliving from Sophocles to Milton (2004) and The Death of Socrates: Hero, Villain, Chatterbox, Saint (2007), as well as the translator of Six Tragedies of Seneca (2010).

Most helpful customer reviews

10 of 10 people found the following review helpful.
Get The 8th Instead
By Wred Fright
I had to use this anthology in a course when Norton changed editions (from 8th to 9th). The previous edition (the 8th) is actually a bit superior, so I would recommend it over this one. This edition (the 9th) has much of the same material, so it still is quite worthwhile, but some of the changes were not improvements. In particular, this edition does not include Aristotle, Petronius, Lucian, the fabliaux section, the Medieval women section, and the carpe diem poetry section. Also, the introductions and overviews were generally better in the 8th as they were more informative and thorough. Many of the introductions in the 9th seem overly concerned with the influence of Islam on European culture, an important topic to be sure but likely not as important as to merit the space devoted to it, as space in an anthology is always precious. Furthermore, some of the additions were odd such as including Ferdowsi (since I was teaching a European literature course, material from the Middle East and Asia was not tremendously helpful). Good additions include Lazarillo de Tormes and some fables by Aesop, but, overall, I would recommend getting the 8th edition if you have an option.

2 of 2 people found the following review helpful.
Not An Improvement
By Selene
I absolutely agree with Fred Wright.
These revised eds ought to be obliged to say what they've left out, as well as what they've added. The risk with this sort of venture is that a sort of competitiveness comes in: editing these vols is very prestigious (and lucrative), and the new eds start competing with the older ones, adding more recondite stuff, less accessible translations (check out the new Gilgamesh), and bossy little "clusters" (as if teachers were incapable of arranging their own courses), while ditching things which are obvious cornerstones of the "Western Tradition": Aeneid Book VI; Aristotle's Poetics. (It's almost incredible that those went!) Where the plates used to show the gold mask traditionally associated with Agamemnon and a tablet from the longest surviving text of Gilgamesh, we now have some obscure Egyptian figures and writing not represented in the Anthology. Meanwhile, all the bad decisions of Ed. 8 - the uneven Lombardo translations, the ugly Musa version of Dante - are all still there. And the map of the Roman Empire is still labelled in Latin.

2 of 2 people found the following review helpful.
I expect that when I rent a text book it ...
By john peragine
I expect that when I rent a text book it will be a little beat up and have some writing or highlighting in it, but I do not expect it to be filthy.

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