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Drown, by Junot Diaz

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A debut collection of stories that move from the barrios of the Dominican Republic to the struggling urban communities of New Jersey. First published in 1996.
- Sales Rank: #3893160 in Books
- Published on: 1999-10
- Original language: English
- Dimensions: 8.25" h x 5.25" w x .75" l,
- Binding: Library Binding
Amazon.com Review
With ten stories that move from the barrios of the Dominican Republic to the struggling urban communities of New Jersey, Junot Diaz makes his remarkable debut. Diaz's work is unflinching and strong, and these stories crackle with an electric sense of discovery. Diaz evokes a world in which fathers are gone, mothers fight with grim determination for their families and themselves, and the next generation inherits the casual cruelty, devestating ambivalence, and knowing humor of lives circumscribed by poverty and uncertainty. In Drown, Diaz has harnessed the rhythms of anger and release, frustration and joy, to indelible effect.
From Publishers Weekly
The 10 tales in this intense debut collection plunge us into the emotional lives of people redefining their American identity. Narrated by adolescent Dominican males living in the struggling communities of the Dominican Republic, New York and New Jersey, these stories chronicle their outwardly cool but inwardly anguished attempts to recreate themselves in the midst of eroding family structures and their own burgeoning sexuality. The best pieces, such as "Aguantando" (to endure), "Negocios," "Edison, NJ" and the title story, portray young people waiting for transformation, waiting to belong. Their worlds generally consist of absent fathers, silent mothers and friends of questionable principles and morals. Diaz's restrained prose reveals their hopes only by implication. It's a style suited to these characters, who long for love but display little affection toward each other. Still, the author's compassion glides just below the surface, occasionally emerging in poetic passages of controlled lyricism, lending these stories a lasting resonance. BOMC and QPB alternates; foreign rights sold in Holland, Norway, Sweden, the U.K., Spain, France and Germany. (Sept.) FYI: Diaz was the only writer chosen by Newsweek as one of the 10 "New Faces of 1996." Drown is a nominee for the 1997 QPB "New Voices" award. "Ysrael" will be included in Best American Short Stories 1996 and "Edison, NJ" will appear in the summer 1996 issue of the Paris Review. Riverhead will publish Diaz's novel, The Cheater's Guide to Love, in 1997.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Diaz has received much pre-publication praise and publicity for this, his first collection, of short stories. Set in his native Dominican Republic or in the Dominican neighborhoods of New Jersey, these stories focus on the carnal aspect of human nature. They graphically depict lives defined by poverty and the cynicism and hardness that can develop from it; the complex nature of relationships, both among peers and within families; and the desperation of those who are enslaved by the American drug culture. Diaz's writing is at times somewhat strained, but he provides convincing portraits of characters attempting to cope with lives which provide them with few advantages and much pain. Recommended for academic libraries.?Rebecca Stuhr-Rommereim, Grinnell Coll. Libs., Ia.
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Highly Readable Stories by a Huge Talent
By Bartolo
A. Ross and others have provided neat summaries of this collection of short stories; I just want to supplement their accounts. I had read "The Brief Wondrous Life of Oscar Wao" first; that novel's principal charm was the great comic invention of its aniti-hero, a morbidly obese gamer and sci-fi addict, a total misfit in his immigrant community. I was dubious about these stories, which claimed no such disarming central character. But Diaz brought such sensitive skills to this first published work that I favor it even over "Oscar."
I have had reasons to be skeptical of Pulitzer winners; and MacArthur "genius" grants have often gone to minority artists with suspicious frequency. Suspicions are irrevelant here; Diaz deserves every accolade. As a writer, he straps one arm behind his back—limits his vocabulary and powers of observation—when he presents all but one of these stories from the point of view of a poor young Dominican-American with no special gifts of description or insight, a kind of ethnic everyman. (Even the odd story of the group, "Negocios," told in the third person about a Dominican's coming to America to establish a foothold for his left-behind family, is narrated in an ostensibly matter-of-fact style) But in all cases Diaz' plainly told tales disguise great art. Desciptions are often unobtrusively poetic. Diaz understands how to make an account vivid with great economy, summoning up the various senses, providing just enough detail. I reflexively recoiled at having to read "Aurora," the narrative of a low-level drug dealer and petty criminal, but in fact that represented Diaz, in spite of the profane dialogue, at his most lyrical and telling. Here is the paragraph of the protagonist starting on a run for burgers for himself and friends:
The Pathfinder sits in the next parking lot, crusty with mud but still a slamming ride. I'm in no rush; I take it out behind the apartments, onto the road that leads to the dump. This was our spot when we were younger, where we started fires we sometimes couldn't keep down. Whose areas around the road are still black. Everything that catches in my headlights—the stack of old tires, signs, shacks—has a memory scratched onto it. Here's where I shot my first pistol. Here's where we stashed our porn magazines. Here's where I kissed my first girl.
The present-tense account nevertheless reveals the kid's constricted past life, all of it spent in the same terrain, the same depressing area, and brilliantly summarized without getting self-consciously literary or getting out of character. In prose almost Hemingwayesque in its simplicity.
I think Diaz set out consciously to be the voice of Dominican immigrants and first-generation Americans, but I suppose he also knew to write what he knew best. In that he has done for them what Ernest P. Jones did for African-Americans In Washington, D.C., Saroyan for Armenian-Americans or Joyce for Dubliners. But like them, he goes far beyond to call forth the humanity in a reader of any ethnicity at all.
I had been slightly disappointed by some other authors that I think are Diaz' contemporaries, by Colson Whitehead ("The Intuitionist") and Jennifer Egan ("A Visit from the Goon Squad"), for example, but Junot Diaz is that rarity, a real artist with wide accessibility, a marvelous craftsman in the service of a group with which most of us are not personally familiar, but whose work bears the earmarks of both great affection and great honesty.
0 of 0 people found the following review helpful.
A great read
By A Customer
This book is one of my favorites it takes you down so my different paths with lively and contrasting perspectives, the author paints a motion picture in your head with words. No matter who your are and where you come from all can relate in some way to this book, don't take ,y word for it though
0 of 0 people found the following review helpful.
AWESOME, JUST PLAIN AWESOME
By mabel peralta
Being 1st generation dominican-american, i could relate to alot of the stories here ( HELLO kneeling in pebbles facing the wall, yeah that was my grandmothers punishment as well, hahahah).
It was so well written. i could not put my kindle down because i was that into it.
Junot Diaz's writing skills make me want to revisit those often odd and out of place events in my time line where my dominican side and my new americanized side overlapped. Some moments were pure comedy.
I really loved this book. And the fact that it was based in jersey and he mentioned my hometown ( union city) made it perfect.
I can not wait for a new book. He makes me proud to be a Dominican.
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